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The Casino di Villa Boncompagni Ludovisi (also known as the Villa Aurora or the Casino dell'Aurora) is a villa in Porta Pinciana, Rome, Italy. Measuring 2.200 square meters, it is all that remains of a country retreat, best known as Villa Ludovisi, established in the 16th century by Cardinal Francesco Maria Del Monte. Casino di Villa Boncompagni Ludovisi is a charming villa that spreads on 2.200 sqm that was built in the 16th century by the Cardinal Francesco Maria del Monte. Hotels near Casino Boncompagni Ludovisi, Rome on Tripadvisor: Find 28,292 traveller reviews, 50,004 candid photos, and prices for 30 hotels near Casino Boncompagni Ludovisi in Rome, Italy. Casino Boncompagni Ludovisi, Rome: See 10 reviews, articles, and 28 photos of Casino Boncompagni Ludovisi, ranked No.797 on Tripadvisor among 2,070 attractions in Rome. Rome Tourism; Rome Hotels; Rome Bed and Breakfast; Rome Vacation Packages; Flights to Rome; Rome Restaurants; Things to Do in Rome; Rome Shopping; Rome Travel Forum.

The most celebrated of the three collections of ancient sculpture displayed in the museum is the Boncompagni Ludovisi marble collection, acquired between 1621 and 1623 by Cardinal Ludovico Ludovisi for his villa on the Quirinal Hill. Alongside the sculptures in the 17th-century collection, the piece that is probably the most famous is the Ludovisi Throne, recovered in 1887 during the urban development works undertaken in the area surrounding the villa. In 1901, the Italian Government acquired 104 sculptures from the Boncompagni Ludovisi family, and these were exhibited for a lengthy period in the Small Cloister of the Charterhouse in the Museum of the Baths of Diocletian. They were then transferred to the Palazzo Altemps, a setting where they can be shown to maximum advantage, integrated into the elegant rooms of the stately mansion.

The Villa Ludovisi was a suburban villa in Rome, built in the 17th century on the area once occupied by the Gardens of Sallust (Horti Sallustiani) near the Porta Salaria.[1] On an assemblage of vineyards purchased from Giovanni Antonio Orsini, Cardinal Francesco Maria Del Monte and others, Cardinal Ludovico Ludovisi erected in the 1620s the main villa building to designs by Domenichino; it was completed within thirty months, in part to house his collection of Roman antiquities,[2] additions to which were unearthed during construction at the site, which had figured among the great patrician pleasure grounds of Roman times. Modern works, most famously Gian Lorenzo Bernini's Pluto and Persephone, were also represented. The engraving of the grounds by Giovanni Battista Falda (1683)[3] shows a short access avenue from a tree-lined exedra in via di Porta Pinciana and cypress-lined avenues centered on each of the facades of the main villa, laid out through open fields, the main approaches to both the villa and the Casino dell'Aurora[4] converging on gates in the Aurelian Walls, which formed the northern bounds of the park; symmetrical parterres of conventional form including bosquets peopled with statuary[5] flanked the main avenue of the Casina, and there was an isolated sunken parterre, though these features were not integrated in a unified overall plan.[6] The overgrown avenues contrasting with the dramatic Roman walls inspired Stendhal to declare in 1828 that the Villa Ludovisi's gardens were among the most beautiful in the world.[7]

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Frescoes in the villa were carried out by Domenichino, Guercino, Giovambattista Viola, and others. A casina was added, largely to house the Cardinal's growing collection of Roman sculptures and inscriptions, which Alessandro Algardi treated to sometimes extensive restoration.

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The villa passed to the ownership of the BoncompagniLudovisi family, which in 1872 rented it to King Victor Emmanuel II. The King used the villa as residence for his lover, Rosa Vercellana.[8]

İn 1885, despite great protests among the intellectuals, its last owner, Don Rodolfo Boncompagni Ludovisi, the Prince of Piombino, faced serious financial troubles and decided to sell the property to the Società Generale Immobiliare. The Villa was divided into building lots.[9] The sculptures[10] were dispersed, and most of the buildings destroyed, the only one to remain being the Casino dell'Aurora.[11]

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The Via Veneto was driven through the former grounds, part of which are occupied by the American Embassy in Palazzo Margherita, and the Rione Ludovisi took shape, borrowing its district name from the cardinal and his villa.

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  • The gardens of the Villa and the Aurelian Walls in the early 1880s, in a painting of Ettore Roesler Franz

  • The Villa gardens, by Luise Begas-Parmentier

  • Fashionable Via Veneto was driven through the heart of Villa Ludovisi's park

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Notes[edit]

  1. ^A. Schiavo, Villa Ludovisi e Palazzo Margherita, Rome 1981; I. Belli Barsale, Ville di Roma, Milan 1970, vol. III.1; D.R. Coffin, Gardens and Gardening in Papal Rome, Princeton 1991;
  2. ^Inventories of Villa Ludovisi have been partly published: paintings inventory of 1623 (C.H. Wood, 'The Ludovisi Collection of Paintings in 1623' The Burlington Magazine, 1992) and of 1633 (K. Garas, 'The Ludovisi Collection of Pictures in 1633' The Burlington Magazine, pt. I, ; pt. II, 1967).
  3. ^The engraving is illustrated in Eva-Bettina Krems, 'Die 'magnifica modestia' der Ludovisi auf dem Monte Pincio in Rom.' Marburger Jahrbuch für Kunstwissenschaft29 (2002:105-163) p. 107, fig. 2.
  4. ^Named for Guercino's ceiling fresco of Aurora
  5. ^M.P. fritz, 'Der statuenhain in den Gärten der Villa Ludovisi', Daidalos65 (1997:42-51).
  6. ^The name of the French garden designer André Le Nôtre became optimistically associated with Villa Ludovisi in the 19th century (as in Th. Schreiber, Die antiken Bildwerke der Villa Ludovisi, Rome 1880, p. 5).
  7. ^Stendhal, Promenades dans Rome (18 April 1828), in Voyages en Italie.
  8. ^Her temporary absence permitted Henry James to inspect the villa and its grounds and indulge in some snobbish daydreams: on-line text.
  9. ^The Boncompagni Ludovisi financial crisis of 1893-96 is analysed in S. Palermo, Terra, città, finanza. I Boncompagni Ludovisi di Roma (1841-1896), 2008.
  10. ^The sculptures had been described by Th. Schreiber, Die antiken Bildwerke der Villa Ludovisi, Rome 1880.
  11. ^'Villa Aurora, Rome's best kept secret?'. Minor Sights. Retrieved 20 November 2016.

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